This story started some years ago when I was still a college student studying Architecture at my hometown; Jogja, Indonesia. In order to tell it properly, I must explain the condition of my study back then.
Some of the assignments for Architecture students involve learning from the “starchitects” around the world. And by learning, it includes understanding the concept and what the building envisions, knowing the architects’s style and vision, scrutinizing the floor plans, circulation, building physics, etcetera. I was in the class of the year 1999 and as I recall, we haven’t had as complete online sources as we would find these days. And our departments’ library was far from being a cornucopia. I distinctly remembered how my friends and I often had trouble finding sufficient written materials and drawings of a particular building. Our library had quite a collection, don’t get me wrong. It’s just that for each assignment, the 80 or so of us would like to have one project that’s different from each other. Clearly, that’s nearly impossible. For those of us who were lucky enough to discover a book which contains a “not-so-popular” building by a “famous-but-not-too-obvious” architect would usually end up with inadequate material to work with. And the internet wasn’t very helpful either, at that time.
One time, we got one of those assignment. I forgot the year, the subject, or the lecturer *oops*. But it was another analytic assignment on one great building by well-known (obviously) architect. So I picked for myself a building by Louis I. Kahn. It was a museum named Kimbell Art Museum. The signature design of this museum is the subtle yet innovative form of skylight to accentuate the art pieces. The skylight took from as narrow slits on the ceiling which capture the daylight than dispersed by perforated metal reflectors onto the arc-roof and down the wall.
I was not familiar with Kahn. I merely ran into a book about his works and liked what I saw. And as predicted, I didn’t got references on this Kimbell Art Museum as much as I want to build a solid paper. That’s all I can remember about the event. I don’t remember if I nailed the assignment and what grade I got.
And I never thought about that building again until few weeks ago when I found out that Kimbell Art Museum is located in Fort Worth—just 45 minutes drive from where I live now! It struck me. To have the opportunity to visit a certain building designed by a famous architect outside my home country has always been an uttered wish for me. Beyond that, to be able to “meet” the building in person after studied about it only on papers in black and white ink from a place 10,000 miles away, is simply an awe.

Under construction of 2nd building by Renzo Piano
So, last weekend, I had the chance to visit the museum with my husband. Experiencing the building as a museum visitor was not a thrilling journey, of course. I couldn’t roam around as if I was in an open house or something. Nonetheless, it was a fun rendezvous with my “old college friend”.
We’ve come a long way, baby.







Beranda depan (dan belakang, bila mungkin!) dengan kursi dan meja kopi yang nyaman.
Dinding backsplash dapur berkeramik mozaik dengan monokrom warna jingga.
Perpustakaan mini dengan satu kursi baca super nyaman.
Instead of making a list of resolutions for this new year, I’m going to make it an open list. I’d like to know that I still have options and chances. And being an open-minded person, I’m open for new and developing ideas. Ideas that do not necessarily come entirely from me, but might grow in time by the injections of other’s thoughts.








The Marriage Plot adalah novel Jeffrey Eugenides yang ke tiga. Dari dua novelnya yang lalu, saya punya apresiasi atas penyusunan kalimat, bahasa, dan pilihan katanya yang cerdas. Penuturannya panjang dan mendetail. Kadang-kadang adegan yang sedang dia kupas bukanlah masalah rumit, tapi penuturannya yang menguntai tiap simpul dari pangkal sampai ujung memberi tambahan berat pada konten sesungguhnya. Konsekuensinya, mungkin beberapa pembaca ada yang merasa bosan, merasa Mr. Eugenides ini menggadang-gadangkan masalah saja. Tapi poin ini yang saya rasa membuat novel-novelnya masuk dalam genre Literary Fiction, dan bukan “sekedar” Popular Fiction.